Scholarly discussion of the music of John Cage.

[Dionisis Boukouvalas <>]

I don't believe this to be canonical. Moreover, One does not follow the same logic as One^5.

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Date: Sun, 14 Nov 2010 12:16:25 -0500
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Subject: [silence] Re: RE: One^5

Ah . . . probably that's in One.  But that's common for Cage. He assumes you know all of his performance instructions, I believe.

2010/11/14 Dionisis Boukouvalas <>

The indication "one hand assists the other" is not to be found here (I mean in the instructions of the piece). You must be referring to another piece.


Date: Sun, 14 Nov 2010 12:06:58 -0500
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Subject: [silence] Re: One^5

I think of it as two columns of events, not left hand/right hand. Many of the events in both columns can only be played by two hands, thus "one hand assists the other."

Many silencers have played this piece--I hope they will weigh in.

Rob

2010/11/14 Dionisis Boukouvalas <>

Same old, I guess, but what is the meaning of dividing between the two hands, since the material given cannot usually be played by one hand alone? Would it make sense to play the material with one hand arpeggiando? Or, should one pick some of the notes for each case?

--
Rob Haskins, Ph.D.
Associate Professor and
     Coordinator, Graduate Studies
Department of Music, College of Liberal Arts
University of New Hampshire
M-105, Paul Creative Arts Center
30 Academic Way
Durham, NH 03824
603-862-3987 (office)
603-862-3155 (fax)
<http://unh.edu/music/>
<http://robhaskins.net>
<http://musicandmiscellaneous.blogspot.com/>

--
Rob Haskins, Ph.D.
Associate Professor and
     Coordinator, Graduate Studies
Department of Music, College of Liberal Arts
University of New Hampshire
M-105, Paul Creative Arts Center
30 Academic Way
Durham, NH 03824
603-862-3987 (office)
603-862-3155 (fax)
<http://unh.edu/music/>
<http://robhaskins.net>
<http://musicandmiscellaneous.blogspot.com/>