Subject: Scholarly discussion of the music of John Cage.
List archive
- From: Rob Haskins <>
- To: Dionisis Boukouvalas <>
- Cc: Silence <>
- Subject: [silence] Re: One^5
- Date: Sun, 14 Nov 2010 12:06:58 -0500
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I think of it as two columns of events, not left hand/right hand. Many of the events in both columns can only be played by two hands, thus "one hand assists the other."
Many silencers have played this piece--I hope they will weigh in.
Rob
2010/11/14 Dionisis Boukouvalas <>
Same old, I guess, but what is the meaning of dividing between the two hands, since the material given cannot usually be played by one hand alone? Would it make sense to play the material with one hand arpeggiando? Or, should one pick some of the notes for each case?
--
Rob Haskins, Ph.D.
Associate Professor and
Coordinator, Graduate Studies
Department of Music, College of Liberal Arts
University of New Hampshire
M-105, Paul Creative Arts Center
30 Academic Way
Durham, NH 03824
603-862-3987 (office)
603-862-3155 (fax)
<http://unh.edu/music/>
<http://robhaskins.net>
<http://musicandmiscellaneous.blogspot.com/>
- [silence] One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: One^5, Rob Haskins, 11/14/2010
- [silence] RE: One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: RE: One^5, Rob Haskins, 11/14/2010
- [silence] RE: One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: RE: One^5, Louis Goldstein, 11/14/2010
- [silence] Re: Re: One^5, Thomas Moore, 11/15/2010
- [silence] Re: Re: Re: One^5, Rob Haskins, 11/15/2010
- [silence] Re: Re: Re: One^5, Louis Goldstein, 11/15/2010
- [silence] Re: Re: Re: Re: One^5, Stefano Pocci, 11/15/2010
- [silence] Re: Re: One^5, Thomas Moore, 11/15/2010
- [silence] Re: RE: One^5, Louis Goldstein, 11/14/2010
- [silence] RE: One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: RE: One^5, Rob Haskins, 11/14/2010
- [silence] RE: One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: One^5, Rob Haskins, 11/14/2010
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