Subject: Scholarly discussion of the music of John Cage.
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- From: Dionisis Boukouvalas <>
- To: Silence <>
- Subject: [silence] One^5
- Date: Sun, 14 Nov 2010 18:10:58 +0200
- Importance: Normal
Same old, I guess, but what is the meaning of dividing between the two hands, since the material given cannot usually be played by one hand alone? Would it make sense to play the material with one hand arpeggiando? Or, should one pick some of the notes for each case? |
- [silence] One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: One^5, Rob Haskins, 11/14/2010
- [silence] RE: One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: RE: One^5, Rob Haskins, 11/14/2010
- [silence] RE: One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: RE: One^5, Louis Goldstein, 11/14/2010
- [silence] Re: Re: One^5, Thomas Moore, 11/15/2010
- [silence] Re: Re: Re: One^5, Rob Haskins, 11/15/2010
- [silence] Re: Re: Re: One^5, Louis Goldstein, 11/15/2010
- [silence] Re: Re: Re: Re: One^5, Stefano Pocci, 11/15/2010
- [silence] Re: Re: One^5, Thomas Moore, 11/15/2010
- [silence] Re: RE: One^5, Louis Goldstein, 11/14/2010
- [silence] RE: One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: RE: One^5, Rob Haskins, 11/14/2010
- [silence] RE: One^5, Dionisis Boukouvalas, 11/14/2010
- [silence] Re: One^5, Rob Haskins, 11/14/2010
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