Subject: Scholarly discussion of the music of John Cage.
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- From: Joseph Zitt <>
- To: Philip Thomas <>
- Cc: "" <>
- Subject: Re: [silence] Cage's Concert
- Date: Tue, 30 Jun 2020 16:25:35 +0300
- Authentication-results: eifmailue2p1.az.virginia.edu; spf=pass (virginia.edu: domain of designates 209.85.166.177 as permitted sender)
University of Huddersfield inspiring global professionals.Dear Silencers
Some of you might be interested to know about the recent publication of a book I’ve co-authored with Martin Iddon, ‘John Cage’s Concert for Piano and Orchestra’. It’s available from OUP now https://global.oup.com/academic/product/john-cages-concert-for-piano-and-orchestra-9780190938475?cc=gb&lang=en&
For a very different kind of exploration of the same piece, see our website https://cageconcert.org/ which examines performance issues through text, video, interviews with performers, and apps.
And for a slightly eccentric take on the ‘Solo for Piano’, I’ve uploaded a ‘complete’ performance, read in sequence from page 1 to page 63 and compiled in the studio, to youtube https://youtu.be/pt7xqOovh4s
Thanks for reading!
Philip
Philip Thomas, Professor of Performance
Music and Music Technology
University of Huddersfield
Queensgate, Huddersfield HD1 3DH
Tel: 01484 471336
http://www.hud.ac.uk/courses/supporting/music/
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- [silence] Cage's Concert, Philip Thomas, 06/30/2020
- Re: [silence] Cage's Concert, Joseph Zitt, 06/30/2020
- Re: [silence] Cage's Concert, Rod Stasick, 06/30/2020
- Re: [silence] Cage's Concert, Amy Beal, 06/30/2020
- Re: [silence] Cage's Concert, Rod Stasick, 06/30/2020
- Re: [silence] Cage's Concert, Joseph Zitt, 06/30/2020
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