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Subject: Scholarly discussion of the music of John Cage.

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[silence] RE: Re: Re: RE: Re: RE: Re: RE: Re: RE: Re: RE: Re: Re: Mesostic generator


Chronological Thread 
  • From: Dionysis Boukouvalas <>
  • To: Silence <>
  • Subject: [silence] RE: Re: Re: RE: Re: RE: Re: RE: Re: RE: Re: RE: Re: Re: Mesostic generator
  • Date: Wed, 10 Apr 2013 01:12:43 +0300
  • Importance: Normal

                James joyce
              rOaratorio
paragrapHs
               iNdividual words

              Come with the
            eArly
   writinGs
     by thE proper names



From:
To:
Subject: RE: [silence] Re: Re: RE: Re: RE: Re: RE: Re: RE: Re: RE: Re: Re: Mesostic generator
Date: Wed, 10 Apr 2013 00:48:49 +0300

Well, I'm quite aware of John's rules. In fact I have written mesostics (100% if I recall well) through the Divine Liturgy of St. John Chrysostom - a first step at a realization of "Circus on" (hyphens omitted - don't recall where they go or how long they are...) The musical part would consists of early Byzantine hymns. Also a handy text (few places and sounds mentioned).

Thing is, I had never realized that the rules were binding.

And the reason the rules were applied is, so to speak, to "honor" each letter?



From:
Date: Tue, 9 Apr 2013 16:39:14 -0500
To:
Subject: [silence] Re: Re: RE: Re: RE: Re: RE: Re: RE: Re: RE: Re: Re: Mesostic generator

Herb's right.

I'll mention something that I'm saying
to someone off the Forum:

I think that there's a general process where
a new art/text form is invented and then a name is
created afterwards whereby if the form is successful or,
simply, becomes well-known (for good or bad), then
the name lives. So, after a very long time of referring to
specific letters embedded in a text in very specific places
as acrostics (which, historically, was the way
ALL highlighted letterforms inside text were referred), 
then Cage comes up with not just a simple pattern down 
the middle, but, rather, a creative text idea that finds 
it's pattern and name later.

As a matter of fact, he was unhappy with his first creation 
because even tho it followed his new "rules" and emphasized 
certain letters over others thru capitalization, it was originally 
written horizontally and looked too square and boxy to him. 
I think this Brown story is mentioned on the very first page of "M."

The lazy "no rules" version followed, I'm convinced, when readers were wooed 
by the look (like Dionysis) but knew nothing of the method underlying it.

Finally, one of the most important aspects of mesostic creating
goes beyond the careful placement of letters. It is the aspect of
what could be called "essence" - that ability to create a mesostic
that, sometimes subtly, represents the quintessence of its subject matter
that spelled out in the spine. That's the place to look for further evidence
of John's genius.

Rod




On apr 9, 2556 BE, at 16:15, Herb Levy wrote:

Making some kind of distinction between a "Cagean mesostic" and some other kind of mesostic seems rather pointless to me.

The mesostic form did not exist until Cage developed it. If his rules don't matter, whose rules should?





--- On Tue, 4/9/13, Dionysis Boukouvalas <> wrote:

From: Dionysis Boukouvalas <>
Subject: [silence] RE: Re: RE: Re: RE: Re: RE: Re: RE: Re: Re: Mesostic generator
To: "Silence" <>
Date: Tuesday, April 9, 2013, 3:44 PM

Depends on your definition of "haiku" :-) There is of course the traditional well-defined haiku, but who forbids us from widening the concept? By the way, did Cage widen the concept of the Acrostic or not? In some ways yes, in other not.

As for what a Cagean mesostic is, I know that quite well, thank you :-) I just thought that it's not all there is to be.


From:
Date: Tue, 9 Apr 2013 15:35:59 -0500
To:
Subject: [silence] Re: RE: Re: RE: Re: RE: Re: RE: Re: Re: Mesostic generator

Yes, but it is NOT a haiku - that's my point.

Rod



On apr 9, 2556 BE, at 15:24, Dionysis Boukouvalas wrote:

It does


From: 
Date: Tue, 9 Apr 2013 15:01:58 -0500
To: 
Subject: [silence] Re: RE: Re: RE: Re: RE: Re: Re: Mesostic generator

They look like mesostics 
in the same way that this looks 
like a haiku.




On apr 9, 2556 BE, at 10:29, Dionysis Boukouvalas wrote:

They sure look like mesostics to me. Why are you saying that they are not mesostics? I'm guessing you are referring to the mesostic rules here?


From: 
Date: Tue, 9 Apr 2013 09:52:26 -0500
To: 
Subject: [silence] Re: RE: Re: RE: Re: Re: Mesostic generator

It's a "mesostic generator" that doesn't generate mesostics.


---
Now playing: Trembling Bells - Adieu, England

http://stasick.org

On apr 9, 2556 BE, at 09:46, Dionysis Boukouvalas wrote:

Because I don't want to search it now, what exactly is the problem?


From: 
Date: Tue, 9 Apr 2013 09:11:48 -0500
To: 
Subject: [silence] Re: RE: Re: Re: Mesostic generator

Well, the idea is nice - and the look is attractive,
but a pretty car that doesn't work properly is
pretty much useless no matter what kinds of 
variables or, as the software creator states,
"extended features" and "additional options"
it has. I may drop the fellow a line to have him
keep me up-to-date on when he gets it working.

best,


---
Now playing: Eliane Radigue & Charles Curtis - Naldjorlak



On apr 9, 2556 BE, at 06:43, Dionysis Boukouvalas wrote:

Still nice though :-)

Well of course, a lot of variables should be available to the user, as to the exact nature of the mesostics produced.
Let's hope they get there!
(Let us know when they will.)


From: 
Date: Sun, 7 Apr 2013 22:29:50 -0500
To: 
Subject: [silence] Re: Re: Mesostic generator

The only real problem with the examples shown
is that they are not mesostics, so the software
needs to work. Trying John's name with the
CNN setting (and the Louis Goldstein example)  
still brings up non-mesostics as well apparently.

R




On apr 7, 2556 BE, at 10:02, Rob Haskins wrote:

In honor of Roger Ebert, here are 10 mesostics on his name

 
 Rogerebert.com
 mOvie
 'Great
 moviEs':
 glossaRy
 
 onE-minute
 By
 yahoo! moviE
 pRotagonist
 sTumbles,
 
 oveR
 On
 "hiGh
 "acE
 fRan
 
 pElzman
 Buy
 tickEts.
 Rss
 headlines abouT
 
 &Raquo; email
 mOvie
 passinG
 hEr
 cRitic:“i
 
 dEvastated
 By
 thE
 oh-so-bRilliant
 foughT
 
 couRageous
 lOst
 hiGhs
 thE
 humoR,
 
 dEep
 aBiding
 lovE
 foR
 movies.excepT
 
 foR
 thOse
 darinG
 dirEctor,
 oR,
 
 idEally,
 By
 tattoo-spanglEd
 thRough
 Tent
 
 hundRed
 glObe-shaped
 caGe.
 Extended
 tRacking
 
 bE
 aBout
 Experience
 tRy
 To
 
 youR
 vacatiOn,
 teenaGers
 havE
 vaRious
 
 thE
 aBout
 attractivE
 foR
 Twisted
 
 aRe
 nOthing
 iGnatiy
 vishnEvetsky"trance",
 foR
 
 gEt
 aBramsa
 romancE,
 dRama,
 Tantalizes
 
 vieweRs
 Open-ended
 sinGular,
 mystErious
 foRm
 
 causEd
 By
 aliEnates
 fRom
 Them.
 
 Room
 whOle
 waitinG
 bEhind
 dooR
 
 thE
 kuBrick's
 "thE
 accoRding
 To





-- 
Rob Haskins, Ph.D.
Associate Professor
Department of Music, College of Liberal Arts
University of New Hampshire
M-105, Paul Creative Arts Center
30 Academic Way
Durham, NH 03824
603-862-3987 (office)
603-862-3155 (fax)
<http://unh.edu/music/>
<http://robhaskins.net>
<http://musicandmiscellaneous.blogspot.com/>













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