Subject: Scholarly discussion of the music of John Cage.
List archive
- From: Rob Haskins <>
- To: Clemens Gresser <>
- Cc: Silence <>
- Subject: [silence] Re: Re: Music cirsus vs Music for a house
- Date: Mon, 14 Feb 2011 12:20:51 -0500
- Domainkey-signature: a=rsa-sha1; c=nofws; d=gmail.com; s=gamma; h=mime-version:in-reply-to:references:date:message-id:subject:from:to :cc:content-type; b=rlFMl2E2zVdYJxvMfBFB3aLRzgALIDytYKxbiYWZUkaEEA+kXBGKlI76xxSc9PE92r Zfp+mCH87VYKVzRzp9NI8b1flSLCLxDZeeZ5F4bWau77kRGGtY73Bp76CVasxojOnofX tu1P3S1PddwxtymCfzohIMQQp1SkLiWZWv+eo=
Actually, I'm pretty sure that Cage made a distinction, perhaps in one of his letters, between a Musicircus and a House Full of Music, the latter indicating an event in which different ensembles played in different rooms. (I thought he described this in Junkerman's article, "nEw / roRms of living together" (in John Cage: Composed in America) but I'm not right. Presumably the source I'm dimly remembering postdated that event.
Rob
--
Rob Haskins, Ph.D.
Associate Professor and
Coordinator, Graduate Studies
Department of Music, College of Liberal Arts
University of New Hampshire
M-105, Paul Creative Arts Center
30 Academic Way
Durham, NH 03824
603-862-3987 (office)
603-862-3155 (fax)
<http://unh.edu/music/>
<http://robhaskins.net>
<http://musicandmiscellaneous.blogspot.com/>
On Mon, Feb 14, 2011 at 2:59 AM, Clemens Gresser <> wrote:
2011/2/14 Dionisis Boukouvalas <>:
> If there are many rooms, could one still call it "music circus", or shouldI always had thought of "A house full of music" (1982) as a
> one call it "music for a house"?
realisation of the "Musicircus" (1968) concept... This is also what
André Chaudron
states at http://www.johncage.info/workscage/housefullofmusic.html
(i.e. relating to sources by David Revill: The Roaring Silence; Paul
van Emmerik: Thema's en Variaties). See also "Musicircus for Children"
(for an online description:
http://www.johncage.info/workscage/musicircuschildren.html).
I think this shows Cage as a pragmatic (not always, but definitely
here): trying to come up with a concept for a large-scale performance
which will involve a high number of people. Whereas the first
Musicircus in the 1960s could make use of the vast space available in
Bremen he needed to use a building with many rooms and a more
"vertical space", on many levels. Maybe one could see it as an
"Apartment House 1982" (as opposed to "Apartment House 1776") - just
that sounds very more divided throughout
an actual building?
Sorry if that doesn't make any sense - I just only had my breakfast... :-)
Clemens
--
*****
Blog:
MusiCB3: http://musicb3.wordpress.com/
Twitter:
Cambridge University Library - Music Dept: http://twitter.com/MCatheul
Pendlebury Library of Music: http://twitter.com/PendleburyLib
My home page:
http://home.arcor.de/cgw/
--
Rob Haskins, Ph.D.
Associate Professor and
Coordinator, Graduate Studies
Department of Music, College of Liberal Arts
University of New Hampshire
M-105, Paul Creative Arts Center
30 Academic Way
Durham, NH 03824
603-862-3987 (office)
603-862-3155 (fax)
<http://unh.edu/music/>
<http://robhaskins.net>
<http://musicandmiscellaneous.blogspot.com/>
- [silence] Music cirsus vs Music for a house, Dionisis Boukouvalas, 02/14/2011
- [silence] Re: Music cirsus vs Music for a house, Clemens Gresser, 02/14/2011
- [silence] Re: Re: Music cirsus vs Music for a house, Rob Haskins, 02/14/2011
- [silence] Re: Music cirsus vs Music for a house, Clemens Gresser, 02/14/2011
Archive powered by MHonArc 2.6.16.